I absolutely loathe Samuel L. Jackson. For some reason, when I see him on a TV screen I just wish that his head would explode (kind of like in Cronenberg's Scanners) during one of those moments where he acts “uppity.” I have also never found Mr. Jackson to be “cool” nor have I ever felt that most of those “cool” films that he has starred in have been of any quality. I once explained to a burnt out hippie type why I felt that Black Snake Moan was easily one of the most degenerate stylized pieces of cancerous filth that I had ever seen. Naturally, the hippie fuck was baffled and just continued to talk about why he thought Samuel L. Jackson was so “bad assss.”
There is one performance featuring Samuel L. Jackson that I do appreciate and it happens to be in the universally hated film Lakeview Terrace. Of course, Lakeview Terrace is your typical
From my personal experience, I have encountered two types of black cops: lovable uncle toms (like Sgt. Al Powell in Die Hard) and angry racist black cops. SLJ does a superb job playing the latter type of cop and he also demonstrates a valuable point. The masses love Samuel L. Jackson when he’s a belligerent criminal unloading bullets into people, yet they hate him when he’s a belligerent criminal cop unloading bullets into other criminals. Are blacks only cool to the masses when they are criminals (or "messiahs")? Why is a black criminal cop something to be despised yet many times black gangsta crack dealers are considered cool?
-Ty E
One thing that I really appreciate about Soiled Sinema's film reviews is how the critique is not afraid to connect the content of the film with the state of the world at-large. Other film reviewers try this but when it is done correctly - the two worlds become inseparable.
ReplyDeleteFirst, it's good to have you back. I missed your potent, honest reviews.
ReplyDeleteSecond, nice take on LAKEVIEW TERRACE and Jackson's so-called "cool" persona.
Totally true about Hollywood's uneasy relationship with black portraits.
Vince- Thanks for the groovy support and keeping up the good fight! Your dedication is very much appreciated!
ReplyDeletePhantom of Pulp- Thanks for the welcome back and support. There is nothing I welcome more than serious and obsessed cinemaphiles/filmmakers as yourself. Also, thanks for seeing Hollywood for what it truly is! That is the mark of someone that truly loves cinema!
Derek- I reviewed storytelling a while back here: http://soiledsinemass.blogspot.com/2008/08/storytelling.html
The dominant Negro in Storytelling to me is typical of the "afrocentric" teachers you will find at most liberal art colleges across the United States. You will not find more unthinking and brainwashed individuals than your typical liberal college girl (or "boy"). Unfortunately, the pink haired girl in Storytelling finds out too late what is the outcome of "Afrocentric" and irrational multiculturalism. Just look up the rape statistics to find out the racial reality of crime in this country. Just like in real-life, the pink haired girl's classmates are offended by the reality of her situation. No one cares about nonfiction (as in a white girl getting raped by a Negro), but the irrational social construct of fictional contemporary "racism." A "racism" that has been reversed today as the Afrocentric "professor" demonstrates.
-Ty E